Granville Carroll, a contemporary visual artist and Afrofuturist residing in Phoenix, Arizona, delves into the realms of photography and poetry to explore the intricate facets of representation and identity. Through his creative pursuits, Carroll seeks to unravel the multifaceted dimensions of blackness, encompassing spatial blackness, temporal blackness, and spiritual blackness. At the heart of his artistic journey lies an exploration of metaphysics, particularly examining the ontology of self and the cosmos. Carroll's practice shines a spotlight on the boundless imaginative capacities of the human mind. He masterfully weaves narratives and constructs alternate speculative futures and states of existence.
Carroll currently teaches at Arizona State University. He has been awarded Top 50 Critical Mass 2022, 2022 NYSCA/NYFA Fellowship in Photography and 2022 JGS Fellowship for Photography. He was named a 2021 Silver List artist and Project Space Visual Studies Workshop AIR. Carroll earned a BFA in photography from Arizona State University in 2018 and an MFA in photography and related media from Rochester Institute of Technology in 2020. His work has been shown across the United States and internationally. His work has been published through online platforms and printed media such as: Panorama Journal, KJZZ radio in Arizona, Fraction Magazine, What Will You Remember, Brink Literary Journal, Lenscratch, Humble Arts Foundation, Black Is Magazine and many others. Carroll’s images have recently appeared in Light and Lens: Thinking About Photography in the Digital Age (Robert Hirsch and Edward Bateman) and There’s Light: Artworks & Conversations Examining Black Masculinity, Identity & Mental Well-Being (Glenn Lutz). In 2022 his first artist book, Dark Matter was published through Visual Studies Workshop Press.
